Here’s my latest update of my painting “Lady in Pink” –still in progress. I did some good work on it last night. I am enjoying the rich new paint I bought recently and plan to do more with it. I am enjoying the drama the shadows bring to it. Even though it is a very simple painting I think it creates a strong presence.
“Lady In Pink” acrylic painting in progress by Bea Garth, copyright 2017
Meanwhile, I think the imbalance in the world events finally got to me — I ended up depressed and developed a really bad case of hives. Talk about the itchy bitchies!
As a result, I have gotten back into doing yoga and meditation again. It really helps me feel much more balanced and far more capable of steering a positive path in this turbulent world. Plus the meditation has helped me get rid of the hives!!
I can well imagine the “Lady in Pink” along with her trusty cat about to meditate too!
Despite several interruptions this last week given the goings on in the world, plus going to visit a wonderful friend in another town who had a poetry reading etc., I have finally gotten back to my painting “Lady in Pink” again. I now realize what all the pink is about, i.e., why both this and the other painting I did recently (Legs Like Leaves) have women featured prominently with all that hot pink!
“Lady in Pink” painting in progress by Bea Garth, copyright 2017
The fact last weekend’s Women’s March was the largest march ever in the USA is heartening. Women and their male supporters marched (with their pink hats!) not only here, but also in 33 other countries.
I believe we are at the beginning of a new paradigm shift wherein the values of the patriarchy are just going to have to move over. Greed and rampant egoism as well as “us vs them” thinking is destroying the planet, not to speak of our souls. There simply is no future in following that path any more.
We need to put aside our differences and learn to love or at least accept each other if we are going to heal the planet enough to have a future for ourselves and our children.
I believe creative and positive spiritual endeavors are more important now than ever to help sensitize and open us up to our feelings and what is going on in our unconscious. This can help us face who we are in a healing way and help us see and appreciate the humanity in each other despite our differences. Thus empowered, we can become more able to finally perceive what is going on in the world without freaking out or going crazy-which will help free us to take right action to help save the planet. This is what growing a positive world culture is all about. Together we can do this; I know it in my bones.
“Lady In Pink” underpainting, work in progress on canvas by Bea Garth, January 2017
This is my new canvas painting I am working on. It is inspired by an extremely small painting on watercolor paper I did back in San Jose (about the size of a large card).
The idea is that she will probably be wearing pink and black, and likely has dark skin. Though all this could change depending…
Obviously I am still working on the cat!! This time it won’t be brown. It will be a contrasting color… And yes I want the cat to feel alive with movement!
I often like to make an underpainting like this before I go ahead and paint the whole thing in color with all the shading, contrast etc. This way I make sure I get the composition worked out in a simpler state rather than have to remake the whole thing if I didn’t get it right.
I finally finished my acrylic painting on canvas: “Legs Like Vines or The Dilemma of Venus.”
“Legs Like Vines or The Dilemma of Venus” acrylic on canvas painting by Bea Garth, copyright 2017
December was not an easy month for me, but I have come out of it feeling renewed. This painting is symbolic in some ways of that renewal, and certainly of my commitment to continue making other paintings!
This painting was in some ways an experiment to see if it might work for me to use geometrics and color more boldly in a painting. In some ways I was borrowing from some techniques I used in ceramics–such as making the rug square rather than recede into the background. I believe it really worked!
The painting expresses in many ways the dilemma between the male and female principle, as well as the continued attraction. Women are on the rise despite the outcome of the last election. Yet we continue to be entangled with men, who up until recently have been acting in many ways as our oppressors despite our love for them. It continues to be a tricky situation.
My next step is to finish this other painting I have called “The Music Genie.” My plan is to finish it and then finally connect with some galleries here in the Portland area.
Here’s a photo of me and my cat Keiko in front of my new painting “Legs Like Vines, or The Dilemma of Venus.” Keiko is her usual lively self.
“Bea and Keiko” photo by Chris Arcus, copyright 2016
Yes, Keiko is my “art cat”! She likes to hang out next to me when I am painting. We are inside the kitchen/dining area since its too cold out in the garage to work on painting there. The paints don’t even like it!!
I am nearly done with this painting. Just needs a bit more shadow and other little fudging. I have had some delays finishing it, but now am on it again. This painting seems to express the dilemma of the feminine principle going through a rebirth in the world. She wants her male counterpart to participate, but is having some trouble getting that point across…
“The Dilemma of Venus” painting in progress by Bea Garth, copyright 2016
I believe I have mostly completed this painting. It was just like that! 2 days. Though I should probably fiddle with it a little. It just came pouring out of me. I was obsessed, reading all these new and old documents about the Hanford radiation experiments and watching videos about it. There is more in me to do on this subject, to be certain.
“Hanford Radiation Experiment” acrylic on canvas by Bea Garth, copyright 2016
In truth, I first started this painting some years ago — the same day the reactors at Fukishima experienced severe problems in Japan in March 2011 as a result of a record breaking tsunami. I must have known it in my bones before I consciously knew the accident actually had happened.
The style in this painting is very different than what I usually employ, and the colors make me think of radiation. I was never able to finish it until now, the 67th anniversary of the Hanford human radiation experiment called the Green Run (which originally occurred on December 2nd and 3rd, 1949). It is personal for me since I was affected as a small infant.
While I was working on the painting yesterday and today, I kept the same large figures and the color scheme that I had originally, although I tweaked the skin and clothes. I added the two babies after seeing the video about the many young babies who died in Walla, Walla, WA (where I was born) during the Hanford Green Run experiments era. The babies are all grouped together in the local cemetery. I was in tears.
On my painting, I included typed strips of writing from an article by “A Green Road Journal” and another article created by the governmental ‘Advisory Committee on Human Radiation Experiments’ called: “The Facts and Unknowns of the Green Run” published Nov. 9, 1994. The typed strips remind me of the little typed notes my parents and others put on archaeological specimens. I incorporated them in the painting so they seem both like bandages and ghostly, dream-like bits of documents that weave between being clear and obscure.
I figure there must be tons of sick and dead children from radiation more recently in Japan. Not to mention increased illness and death rates in infants along the West Coast of the United States given all the toxic xenon we are getting these days. Ever wonder why there is increased respiratory illnesses here??
So yes, unfortunately, there is a lot of material for me to get inspiration from. I feel like I owe it to all those kids who didn’t survive or aren’t doing so well–since yes small children are more affected by radiation than their elders (although their grandparents don’t tend to do so well either). I am one of the lucky ones despite the fact I got severely ill coincident with the Green Run in 1949 when I was 4 months old. I was likely sick from both the iodine 131 and the excess xenon (and who knows what else!) since my lungs were severely affected. They have never been quite right since then.
Nevertheless, I was fortunate to have been taken to the hospital and treated with gamma globulin likely laced with iodine (which protects against the radioactive iodine 131), and taken off gluten (which tends to be inflammatory). But many were not so fortunate. But even as fortunate as I am, I have had to really work hard on my health for years (and still do) to be healthy and whole. I am really glad to have found some remedies that really work for me like dandelion root, barberry, ginger and (taken separately) bentonite slaked by letting sit in water at least 5 hours–as well as a low histamine and gluten free diet.
Of course none of us were fortunate at all to be exposed to so much intense radiation. As I keep reading I have discovered there were several Green Runs, not just one as the government eventually claimed by mid 1985 (i.e, the one on December 2nd and 3rd, 1949). We are talking about more than 847,000 curies of radioactive iodine that were released into the river over a 3 year period alone–before the Green Run in December 1949 with its 8,000 curies. More was released at intervals up through the 1960’s. Fortunately we moved away by the time I was 3. There were only 24 curies of radioactive iodine that were released in the Three Mile Island accident. And yes no one was told until the mid eighties.
Both Hanford and the nuclear accident at Fukishima are bad situations that keep on giving. The big issue at Hanford now is all the leaking storage tanks the federal government (and its agencies) simply has not had it in its heart to spend money on. From what I have read, they could potentially contaminate the entire region if its not attended to. The health of the Columbia River is at particular risk not to speak of cities downriver like Vancouver and Portland.
And Fukishima, wow. I need to find out more. And plan to. There seems to be a continuing black-out on the situation there. The powers that be and news media overall seem determined to give the impression that nuclear is safe by not covering the story or paying attention. This needs to change.
I hope some of my art can help create more awareness of the necessity to deal with and heal this issue wherever it exists.
Another update on my painting, “Legs Like Vines.” A bad headache the other day (from an egg I hadn’t boiled quite enough–I have histamine sensitivity) slowed me down.
But late tonight I was back at it again. There is more to do with it of course. But am sharing my process. I am not one of those really quick painters. Am a perfectionist more or less in this area of my life. Plus all those intricate patterns take time to get right! I use the principle of spontaneity and structure working together to create tensions and harmonies.
“Leaves Like Vines” acrylic painting in progress by Bea Garth copyright 2016
On yet another level, this painting is starting to make even more sense to me considering the fact I discovered very recently that I need to take a lot more silica than I thought I’d ever need in order to be OK. My legs etc. have truly in their way been like vines.
I laugh since what else can one do. There are both positives and negatives to being what is considered to be too flexible. The big problem for some of us is that we have a hard time making enough collagen. This eventually starts to become a real negative, especially as one gets older. And yes, more silica is needed to make the collagen.
Now even my eyes are improving, as well as my hair, teeth, nails, nerves, joints etc. I am even having less jerking at night. And overall fewer headaches. I am now able to exercise more regularly without hurting myself. Have less reflux etc. Amazing! Its only been two months since I started taking the food grade diatomaceous earth. Literally a dirt cheap source of silica!! and healing…
With everything improving, who knows where I will be at in a year. Though one thing is for sure, more than likely I’ll be painting up a storm!!
For more info on this condition, I suggest you look up Ehrlos Danlos Syndrome. If you think you might have it, please consider joining some of the EDS support groups on Facebook. The Cusack Family Protocol is the best!
Its been a rainy Thanksgiving so far. Plenty of chance for me to work on my painting! Though today I was able to go out for a walk before it started raining again. I wore my poncho just in case!
This painting is changing before my eyes. I am really uncertain what I will call it. How the pillow or rock/Mayan Calendar (!!) turns out will affect it quite a bit, of that I am certain.
Legs Like Vines, painting in progress by Bea Garth copyright 2016
I still have to work on the male figure quite a bit, it needs the definition shadows bring. I also need to finish the edging around the carpet.
And yes I do like the carpet. The rectangles and triangles are subtle but effective. They echo the Calendar symbology nicely.
This piece is kind of blowing my mind, such as it is. Not at all what I expected! But that is the fun of painting for me–I let my unconscious come through and have free reign.
I had a dream last night that suggested I put in roots around in the blue area, but today am uncertain that would be right for this painting. Maybe the next one? Might be too busy and unnecessary. However I will play around with it and see if it could work or not…
I got some more work done this weekend on my new painting. Am thinking the name of the piece will change, as is often the case. For now still calling it Legs Like vines however… Maybe should include arms too, lol! Even more extended than usual even for me!
I was listening to the local Portland jazz/community radio station. A lot of pieces from the sixties. A good reminder of what all is going on now and likely will for the next four years. Both the ‘what the world needs now is love sweet love’, plus ‘whats going on’. Remember? It definitely is happening now…
Legs Like Vines in progress by Bea Garth acrylic on canvas in studio
This new work of mine meanwhile is an experiment in color and composition. So far the woman has definitely increased in importance…
Ironically here I am just coming off a bad migraine and contemplating my new award from the international art magazine Art/Slant. I won a First Place for Painting in the 9th 2016 round of their contest this year (a 9th 2016 ARTSLANT PRIZE SHOWCASE WINNER) and have a chance of winning a big prize at the end of the year and being part of their show in Florida next February. I honestly did not expect to win anything so this has come as a big surprise. You can find it listed here:
Its for my painting Empathy–you can see here. Just click on the picture to see a screen size shot of it. It seems to be a popular or at least semi controversial painting of mine.
“Empathy” by Bea Garth, copyright 2014 acrylic painting
Marianne Szlyck used it for the cover for her book of poems I DREAM OF EMPATHY last year which you can find on Amazon. https://www.amazon.com/I-Dream-Empathy-Marianne-Szlyk/dp/1517160677/ref=sr_1_fkmr0_2?s=books&ie=UTF8&qid=1479330057&sr=1-2-fkmr0&keywords=Marianne+Szlyck+Empathy
I also almost got into a group show this fall all about story and the imagination (A Magical Kingdom…) with this same painting here in Portland, but didn’t. I was told they loved the piece but felt it didn’t quite fit in with the rest of the show. What can one say?
Thus to then win first prize for this 9th round at Art/Slant magazine based on this same painting was quite a nice kick in the pants!
Yes tonight (or to be more realistic, tomorrow) I paint, after attending to my other love — my art/poetry/commentary e-zine: Eos: The Creative Context (http://eosthecreativecontext.com). And more fully recover from the after effects of my migraine… Ever wonder why my work is so “dream-like”??
A friend of mine asked to see what my art studio looks like these days. So tonight after I was done painting for the day I decided why not?
You can see the painting I am working on now on the easel, and my other painting I still need to finish sitting on the floor on the right.
Art Studio photo by Bea Garth copyright 2016
Yes I am one of those messy artists. Nothing to be done about it! Though I want to build some more storage so I will have room to work on some clay too.
I just got started putting the color in. Thought I’d do something a little different, more like what I sometimes did working on clay. Let design have it’s say more and keep it playful.
As you can see, I am not done!
Legs Like Leaves in progress by Bea Garth copyright 2016 acrylic on canvas
I have not worked on the bodies or pillow (except for the sketched in underpainting) or even finished the background. I like the bold design and colors so far however.
I may or may not put any actual leaves into the painting. I’ll be playing around with that concept in my head whether or not I try it.
As you likely can see, the painting is in my studio in the unheated garage next to my kilns. I was working there late tonight all bundled up. The weather is starting to get chillier. Nevertheless, the act of painting seems to keep me warm!! I even took off my coat and hat! Though this time my second sweater stayed on…